By Horst Zander
ISBN-10: 0203997018
ISBN-13: 9780203997017
ISBN-10: 0815335075
ISBN-13: 9780815335078
This publication explores conventional ways to the play, such as an exam of the play in mild of present heritage, within the context of Renaissance England, and relating to Shakespeare's different Roman performs in addition to structural exam of plot, language, personality, and resource fabric. Julius Caesar: Critical Essays additionally examines the present debates about the play in Marxist, psychoanalytic, deconstructive, queer, and gender contexts.
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Additional info for Julius Caesar: New Critical Essays
Example text
It had been started by J. C. Cowell, and the prolonged discussions affected Julius Caesar as well. For example, F. G. ”68 Similar considerations continued well into the twentieth century. J. M. pmd 20 10/11/2004, 9:05 AM Julius Caesar and the Critical Legacy • 21 together with Kyd), later revised by others such as Drayton, Chapman, and Munday, and finally condensed by Shakespeare. 69 For William Wells Shakespeare’s work in Julius Caesar only “comprises lines 1 to 57 . . 70 In late Victorian England, it was Edward Dowden who emphasized the biographical approach and even attempted to synchronize the whole canon with aspects of Shakespeare’s life.
This production was to have a considerable influence on subsequent ones. It was Young who acted Brutus in the next major rendition in 1819, with William Charles Macready as Cassius; similarly, Samuel Phelps first appeared as Cassius to Macready’s Brutus in 1838, before he himself was featured as Brutus at Sadler’s Wells in 1846. Thus it seems that here an actor had to qualify himself for playing Brutus by first playing Cassius, although both roles represent quite different character types. And all three actor-managers appeared in or produced Julius Caesar for a considerable span of time: Young for about two decades, both Macready and Phelps for almost three decades.
Such a conception of Brutus prevailed in most renditions in the first half of the eighteenth century. 166 It is clear that the Augustan Age had a particular interest in representations of its cultural model, and at the same time audiences seem to have felt parallels between the English struggle against absolutism and Brutus’s fight against Caesar’s autocracy. , by emphasizing his dignity and Stoicism), the role of Caesar was occasionally the subject of caricature. Conforming to the taste of the period, the performances reduced or eliminated the ambivalences of the characters, and the scenery was usually minimal.