By A. Cook
ISBN-10: 0230105475
ISBN-13: 9780230105478
Shakespearean Neuroplay offers a strategy for using cognitive technological know-how to the examine of drama and function. With Shakespeare’s Hamlet as a try out topic and the cognitive linguistic idea of conceptual mixing as a device, cook dinner unravels the “mirror held as much as nature” on the heart of Shakespeare’s play. Hamlet’s replicate turns into a conceptual constitution that invisibly scaffolds our knowing of the play. A lucid clarification of either modern technological know-how and Hamlet, Shakespearean Neuroplay unveils Shakespeare’s textual theatrics and sheds mild on blind spots in theatre and function thought.
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Additional info for Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science (Cognitive Studies in Literature and Performance)
Sample text
In choosing this form of discourse, Coulson and Pascual show that, far from being a function of literary talent, conceptual blends are used because they make the complex (scientific and ethical issues) comprehensible to a general audience. One of their examples comes from the controversy surrounding stem cell research. ” They point out that the rhetorical power of this question comes despite and because of its ridiculousness. In order to figure his schoolage daughter as the embryo that, in a different future, created the stem cell that cured his paralysis requires complicated—but not time consuming—compression.
CBT supports and extends other critical assessments of Hamlet’s mirror, it suggests avenues of historical research and illuminates the connective tissue between ideas within the play—connective tissue that generates a cognitive scaffolding. The cognitive scaffolding is the network of spaces and blends primed and evoked throughout the plays such that the play would not look the same without it. Uncovering the network evoked to understand “The slings and arrows of outrageous fortune” would be interesting, but the true value of the method comes when the blend selected contains, compresses, or informs other parts of the play.
Neuroplay is the movement between meanings; it is message and reception together. Neuroplay happens in the “infinite space” of Shakespeare’s Globe. Chapter 2 Linguistic Synaesthesia All our ideas are awakened in the same way that a gardener who knows plants recalls, at the sight of them, all the stages of their growth. These words and the objects designated by them are so connected in the brain that it is comparatively rare to imagine a thing without the name or sign that is attached to it. 588–92).