By Dennis James Siler, Gerald Stacy
ISBN-10: 0773436103
ISBN-13: 9780773436107
This examine explains that Shakespeare's use of Ovidian textual content as resource fabric produces an intrinsic subject while seen in the course of the scope of a author whose fundamental objective was once to supply his viewers with a 'uniquely English' dramatic product. having a look past uncomplicated resource reports, this booklet reconceptualizes the impression of the poet Ovid at the works of Shakespeare, emphasizing the parallel ideological buildings and motivations in either poets' works. the 1st portion of the e-book works via an in depth exam of a unmarried play, "A Midsummer Night's Dream", unpacking its crucial characteristics of translation, conflation, and appropriation. the subsequent part strains meta-Ovidian parts via quite a few Shakespeare's different works, determining intertextual parallels in addition to meta-Ovidian characteristics within the poems and performs. The 3rd part offers with 3 Ovidian trends that are evinced or strengthened inside of Shakespeare's unique staging practices: the idea that of metamorphosis or translation, using mythological/archetypal characters and figures, and the overarching polyvalence of characters, settings, and the playhouse itself. the ultimate part connects the meta-Ovidian qualities to the favourite currents in modern literature that signaled a departure from a Roman imperial (or papist) translatio imperii to forge a brand new English mythology with its demonstrated mandate from the traditional strength of Troy.
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Extra info for The Influence of the Roman Poet Ovid on Shakespeare's A Midsummer Night's Dream: Intertextual Parallels and Meta-Ovidian Tendencies
Example text
In one instance Golding even compares the poem to a predatory animal stalking the unwary reader: And if they happening for to meete with any wanton woord Or matter lewd, according as the person dooth avoord In whom the evill is describde, doo feele their myndes thereby Provokte to vyce and wantonnesse, (as nature commonly Is prone to evill) let them thus imagin in their mynde: Behold, by sent of reason and by perfect syght I fynd A Panther heere, whose peinted cote with yellow spots like gold And pleasant smell allure myne eyes and senses to behold.
The 22 central conflict between the two is a dispute over Titania's adoption of the changeling boy and Oberon's demand that she turn the child over to him. 34) through use of the magical flower, and the argument between the two has even resulted in disturbances in the weather and the neglect of "fairy business" that may affect humans and fairies alike. More on this 1 ater. True to the play's theme, however, Oberon and Titania refuse to remain constant to olympian types, sometimes mirroring classical deities and sometimes modeling traits or behaviors of royalty of the period.
In fact, created a new literary mythology composed of elements from the Greek, Roman, and English traditions morphed into an entirely new aggregate. 99-100). The choice of a neglected maze as representative of thwarted "fairy business" allows for a unique nexus of classical and folkloric symbolism. The reference here is to one of many known "turf mazes," which are typically unicursal (one unbranching path) figures cut into the ground in various locations around the English countryside. Russell and Russell have identified ten surviving turf mazes, and catalogued references to about 30 historical mazes.