By William Shakespeare
ISBN-10: 0199267170
ISBN-13: 9780199267170
ISBN-10: 0199267189
ISBN-13: 9780199267187
Hailed through The Washington submit as "a definitive synthesis of the simplest variants" and by way of the days of London as "a monument to Shakespearean scholarship," The Oxford Shakespeare is the last word anthology of the Bard's paintings: the main authoritative version of the performs and poems ever released. Now, nearly 20 years after the unique quantity, Oxford is proud to announce a completely up-to-date moment variation, together with for the 1st time the texts of The Reign of Edward III and Sir Thomas extra, spotting those performs formally as genuine works by means of Shakespeare. this pretty assortment is the fabricated from years of full-time learn by means of a workforce of British and American students and represents the main thorough exam ever undertaken of the character and authority of Shakespeare's paintings. The editors reconsidered each element of the textual content within the gentle of recent scholarship they usually completely re-examined the earliest published models of the performs, firmly setting up the canon and chronological order of composition. All level instructions were reconsidered in gentle of unique staging, and plenty of new instructions for crucial motion were further. This great quantity additionally incorporates a short advent to every paintings in addition to an illuminating common advent. eventually, the editors have additional a wealth of secondary fabric, together with an essay on language, a listing of up to date allusions to Shakespeare, an index of Shakespearean characters, a thesaurus, a consolidated bibliography, and an index of first strains of the Sonnets. Compiled through the world's prime gurus, jam-packed with details, and attractively designed, The Oxford Shakespeare is the most efficient of Shakespearean anthologies.
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Extra info for The Oxford Shakespeare: The Complete Works, Second Edition
Sample text
W. Braunmuller; Alan Brissenden; Susan Brock; J. P. Brockbank; Robert Burchfield; Lou Burnard; Lesley Burnett; John Carey; Janet Clare; Thomas Clayton; T. W. Craik; Norman Davis; Alan Dessen; E. E. Duncan-Jones; K. Duncan-Jones; R. D. Eagleson; Philip Edwards; G. Blakemore Evans; Jean Fuzier; Hans Walter Gabler; Philip Gaskell; A. J. Gurr; Antony Hammond; Richard Hardin; G. R. Hibbard; Myra Hinman; R. V. Holdsworth; E. A. J. Honigmann; T. H. Howard-Hill; MacD. P. Jackson; Harold Jenkins; Charles Johnston; John Kerrigan; Randall McLeod; Nancy Maguire; Giorgio Melchiori; Peter Milward; Kenneth Muir; Stephen Orgel; Kenneth Palmer; John Pitcher; Eleanor Prosser; S.
He lived in a beautiful and fertile part of the country, with rivers and fields at hand. He had the company of brothers and sisters. Each Sunday the family would go to Stratford’s splendid parish church, as the law required; his father, by virtue of his dignified status, would sit in the front pew. There Shakespeare’s receptive mind would be impressed by the sonorous phrases of the Bible, in either the Bishops’ or the Geneva version, the Homilies, and the Book of Common Prayer. From time to time travelling players would visit Stratford.
The King’s processional entry into London had to be delayed; when at last it took place, on 15 March 1604, each of the company’s leaders was granted four and a half yards of scarlet cloth for his livery as one of the King’s retainers; but the players seem not to have processed. Their association with the King was far from nominal; during the next thirteen years—up to the time of Shakespeare’s death—they played at court more often than all the other theatre companies combined. Records are patchy, but we know, for instance, that they gave eleven plays at court between I November 1604 and 31 October 1605, and that seven of them were by Shakespeare: they included older plays—The Comedy of Errors, Love’s Labour’s Lost—and more recent ones—Othello and Measure for Measure.