By John R. Ford
ISBN-10: 0313317003
ISBN-13: 9780313317002
Twelfth Night is among the so much available and but elusive of Shakespeare's performs. It has loved huge, immense reputation in functionality, however it keeps to problem scholars. This consultant offers a radical advent to the play. incorporated are chapters at the play's heritage, contexts, topics, dramatic paintings, serious reception, and function background. the quantity cites present scholarship and closes with a bibliography.
Twelfth Night is among the such a lot obtainable but elusive of Shakespeare's performs. It has loved huge, immense reputation in functionality, however it keeps to problem scholars. It has skilled a variety of revivals and has provoked one of the most outstanding serious responses from Shakespeare's critics. Written for college kids and common readers, this consultant is a entire creation to Shakespeare's play.
The quantity starts off with a glance on the play's textual historical past. this is often through an exploration of its ancient and cultural contexts and its assets and analogues. The ebook subsequent turns to Shakespeare's dramatic paintings after which examines his subject matters of id, sexuality, and insanity. the ultimate chapters examine the severe reaction to the play and provides precise consciousness to the play's functionality heritage. The advisor closes with a bibliography.
Read or Download Twelfth Night: A Guide to the Play (Greenwood Guides to Shakespeare) PDF
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Additional resources for Twelfth Night: A Guide to the Play (Greenwood Guides to Shakespeare)
Sample text
In Twelfth Night, at the moment when Viola is most entrapped by her usurped masculine attire, she wonders—in terms Galen would understand—what wisp of a difference defines male and female. " she pleads as she cowers before the masculine attire of Sir Andrew. 302-03). What to make, this play seems continually to ask, of a diminished thing? A number of Shakespeare's other early plays, including Love's Labor s Lost, The Merchant of Venice, and especially The Two Gentlemen of Veron may have contributed to certain themes of Twelfth Night, as well as to Shakespeare's interest in gender and the attractions and dangers of lyrical 34 Twelfth Night poetry.
This coincidence suggests that both tunes may be Morley's and were borrowed by Shakespeare" (44). There is less evidence that "Come Away, Death" was written by Shakespeare. Elizabeth Story Donno points out that "[although the original music is not known, it was clearly a folk song" (83, n. 48). Seng also points to the traditional elements of the song, reminiscent of the "content and character of the chansons de toile" (110), as Orsino himself acknowledges. The case for Shakespeare's authorship of Feste's epilogue song is also somewhat ambivalent.
Viola hints at these spiritual powers when she hopes, against reason, that Antonio's mistaking Cesario for Sebastian might be a sign that her brother, the very mirror of herself, may yet live: He named Sebastian. I my brother know Yet living in my glass; even such and so In favour was my brother, and he went Still in this fashion, colour, ornament, For him I imitate. O if it prove, Tempests are kind, and salt waves fresh in love. 330-35) The Comedy of Errors is usually regarded as less complex than Twelfth Night.