By Terri Bourus (auth.)
ISBN-10: 1137465646
ISBN-13: 9781137465641
ISBN-10: 1349499633
ISBN-13: 9781349499632
Read or Download Young Shakespeare’s Young Hamlet: Print, Piracy, and Performance PDF
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Additional resources for Young Shakespeare’s Young Hamlet: Print, Piracy, and Performance
Example text
8 The actor’s inadequate memory has been supplemented by the inadequate writing of a “hack,” and as always an unethical bookseller is imagined, lurking in the background. In chapter 1, I have tried to exorcise the ghost of the evil bookseller, and his appearance in Mommsen’s theory is demonstrably anachronistic. The word “hack” derives from “hackney,” and it did not acquire the sense of “a literary drudge” until the eighteenth-century rise of Grub Street journalism.
But Ling had more resources than Trundle, and both stationers sometimes did publish texts on their own. If either had been absolutely confident that the entire print-run of a first edition of Hamlet would quickly sell out, one or the other would have monopolized the initial investment and the subsequent profit. The decision to copublish indicates that both Ling and Trundle regarded Hamlet as a commercially risky book. This may seem surprising 24 M Young Shakespeare’s Young Hamlet to modern critics.
Unlike the 1604 title page, this selfserving advertisement does explicitly condemn previous editions. But which “imposters” does it target? In 1909, an inf luential bibliographer at the British Museum, Alfred W. Pollard, reinterpreted this passage, taking it not as a blanket rejection of all the pre-1623 quartos, but as a specific criticism of only a few: Romeo and Juliet (1597), Henry V (1600), Merry Wives of Windsor (1602), Hamlet (1603), and Pericles (1609). 115 Pollard’s essential distinction between good quartos (which the Folio reprints with few changes) and “bad” ones (which the Folio explicitly condemns, and does not reprint) seems convincing, but which quartos belong among the “imposters” remains a matter of scholarly debate.