By Philippa Kelly
ISBN-10: 1441111646
ISBN-13: 9781441111647
ISBN-10: 1441178686
ISBN-13: 9781441178688
How technology Works (HSW) presents the chance for students not just to appreciate the evidence of technology, but additionally to improve as severe thinkers and to develop into inventive problem-solvers. James Williams introduces HSW, taking a look at the historical past to this method of instructing technological know-how and attracts at the present curriculum to discover thoughts for successfully introducing elements of HSW into classes throughout all of the technological know-how disciplines. every one bankruptcy contains reflective projects to take advantage of separately or as a part of crew discussions, examine projects, extra examining and linked net hyperlinks.
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Additional info for King and I (Shakespeare Now!)
Sample text
There it is: a series of negatives, words that baldly declare through the limits of language the limits of love. Much has been written on the topic of Cordelia’s expression of a love that transcends the limits of language: but, Fathers and Mothers 13 Mr. Yeabsley pointed out to us, isn’t she just being difficult? Can’t she see what he is really asking for? In the face of Cordelia’s rebuke, the king’s whole self is exposed. He is both literally and metaphorically ‘dis-graced’,4 since his response to Cordelia prompts him to end his regency by crudely chopping his kingdom down the middle and handing it out to his other two daughters.
In the face of Cordelia’s rebuke, the king’s whole self is exposed. He is both literally and metaphorically ‘dis-graced’,4 since his response to Cordelia prompts him to end his regency by crudely chopping his kingdom down the middle and handing it out to his other two daughters. He is emotionally naked and starving. And in the course of the next several scenes he becomes physically naked, needy, left out in the cold – until, at his lowest ebb, he is embraced by his youngest daughter, who returns chastened from France to give him the very solace he had wanted in the first place.
29 When Lear comes, late in the play, to beg Cordelia’s forgiveness, it is possible for him to face the place of shame and to discover ‘the import of his miseries’ (Zak, 22). His journey has led him to see what he has feared – that he is indeed no more than a man. But this journey also shows him that being a man is enough. 284), knowing that the place of shame is one he can now look at. He needs no furs or robes or even buttons to cover up his emotional nakedness. His nakedness is human, and enough.