By Michael Löwy
ISBN-10: 0292718942
ISBN-13: 9780292718944
ISBN-10: 0292793634
ISBN-13: 9780292793637
An elevated version of respected theorist Michael Löwy's Morning big name: Marxism and Surrealism (previously released in French, Portuguese, Spanish, Italian, and Greek), this masterwork collects the author's essays at the ways that surrealism intersected with numerous progressive political methods, starting from utopian beliefs to Marxism and situationism. Taking its name from André Breton's essay "Arcane 17," which casts the big name because the searing firebrand of uprising, Löwy's provocative paintings spans many views. those contain surrealist artists who have been deeply drawn to Marxism and anarchism (Breton between them), in addition to Marxists who have been deeply attracted to surrealism (Walter Benjamin in particular).Probing the dialectics of innovation, variety, continuity, and harmony all through surrealism's overseas presence, Morning superstar additionally contains analyses of Claude Cahun, man Debord, Pierre Naville, José Carlos Mariátegui and others, observed through a variety of reproductions of surrealist paintings. an awfully wealthy assortment, Morning celebrity gives you to ignite new dialogues in regards to the very nature of dissent.
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Additional info for Morning Star: surrealism, marxism, anarchism, situationism, utopia (Surrealist Revolution Series)
Sample text
Some months later, in June of that year, in his famous address to the Congress of Writers for the Defense of Culture, he returned to the subject and fearlessly proclaimed, in the face of anti-Germanic chauvinism: In the German-language philosophers above all we have discovered the only effective antidote to the positivist rational23 morning star ism that continues to enact its ravages here. ² This adherence to Communism and to Marxism did not hinder the existence of an irreducibly libertarian position at the heart of Breton’s evolution.
There is nothing gratuitous about this Brownian movement of the masses. On the other hand, dérive, as practiced by the Surrealists and the situationists, is a joyous excursion completely outside the weighty constraints of that domain of utilitarian reason. As Guy Debord observed, people who are experiencing dérive “waive, for a longer or shorter period, their reasons for moving about and behaving as they usually do—let themselves be guided by the 2 Eugenio Castro, untitled, 1996. morning star Albert Marencin, untitled, 1974.
At the magical intersection of many traditions, it offers an inexhaustible reservoir of symbols and allegories, ghosts and demons, gods and serpents. There are many ways to seek that dangerous treasure: the poetic or literary reference to ancient myth, the “learned” study of mythology, and the attempt to create a new mythos. In the third case, the creation of a new mythos, the loss of religious substance in myth transforms it into a profane image of reenchantment or, rather, a nonreligious way of regaining the sacred.