By E. A. J. Honigmann
ISBN-10: 0230374131
ISBN-13: 9780230374133
ISBN-10: 0312177534
ISBN-13: 9780312177539
ISBN-10: 0333720644
ISBN-13: 9780333720646
Myriad-minded Shakespeare introduces readers to the good number of methods to Shakespeare. The political and sexist implications of the performs, their resources, staging concerns, textual disputes and the dramatist's personality and biography are all analysed the following, bringing out the interconnectedness of serious questions. Ernst Honigmann plunges directly into his matters and indicates that it truly is hardly ever secure to hunt suggestions which are narrowly specific. For the second one variation a brand new preface areas the essays within the context of contemporary severe debate and a brand new bankruptcy on Shakespeare's will offers a desirable perception into Shakespeare's self reliant spirit.
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Extra resources for Myriad-minded Shakespeare: Essays on the tragedies, problem comedies and Shakespeare the man
Example text
So it behoved him to be on his guard: a second public attack on him as an upstart, muscling in on classical territory in which he was not really at home, would have been most unfortunate. Moreover, a new young dramatist had recently appeared on the literary scene, a 'pestilent fellow' with a sharply critical tongue, a bricklayer's son (as his enemies alleged) who had studied the classics more intensively than Shakespeare, and was later to refer to Shakespeare's 'small Latin and less Greek'. Ben Jonson, and others, could be expected to look for faults in Shakespeare's play- and indeed we know that Jonson pounced on Julius Caesar.
The two images come together in Nicholas L'Estrange's delightful anecdote of Shakespeare as a godfather (quoted above, p. 13), but there are so many more amusing stories about his convivial wit than about his silences that biographers have focused too exclusively on one side of his character - a great loss. The plays, taken on their own, tell us little about their author's character except that he may have possessed some chameleon qualities (visible too in the Sonnets, in the poet's adaptability to courtly extravagance, which the dramatist seems to have disliked).
4) According to Plutarch, Antony had already reached high political office, second only to Caesar; Shakespeare transforms Antony into something close to a lackey. It follows that he was not trying to impress classicists by painting historically unimpeachable portraits of the principal characters. As many commentators have said, Shakespeare's special effort went into the language of Julius Caesar. Apart from the poets and prose-writers that I have already mentioned (Livy, Horace, Virgil), the Rome of Julius Caesar bred orators, such as Cicero, trained in the schools - and Shakespeare's unique achievement was that he re-created a world dedicated to speech-making and the arts of persuasion.