Download Popular Woodworking, Issue 205 (August 2013) PDF

In “Voysey Mantel Clock,” the canopy tale for the August 2013 factor of well known Woodworking journal, govt editor Robert W. Lang makes a duplicate of C.F.A. Voysey’s appealing painted clock from 1895. regardless of being over a century outdated, the graceful layout remains to be greatly at domestic within the modern residing. Mary could teaches step by step the strategies used to “Carve a vintage Linenfold Panel.” discover ways to scoop a chair seat utilizing a desk observed and a straightforward jig in “Take a U-turn to Scoop a Chair Seat” by way of Mario Rodriguez. In “William & Mary Spice Chest,” Zachary Dillinger builds a standout interval piece with curved stretchers, became legs and hidden drawers. Jameel Abraham makes use of a scrollsaw and some uncomplicated steps to yield gorgeous inlay leads to “Double-bevel Artistry.” dealing with editor Glen D. Huey builds an actual replica of a Piedmont “Southern Gent’s reflect Stand” that used to be chanced on in a museum basement.

In this month’s instrument attempt, we look at the Dadonator Jr. in “Infinity Shrinks the Dado Stack.” Plus “Amana Countersinks overcome Burning & Marring,” “Clever Spyder Jigsaw Blades Make Super-tight Turns,” and “Vesper instruments test sq.: excellent & Functional.”

In this month’s layout issues, George R. Walker exhibits you the way to “Train Your Eye” for small information and layout judgements that make a distinction. Megan Fitzpatrick supplies “The gap Story” on dull and uninteresting instruments in Woodworking necessities. In Arts & Mysteries, Adam Cherubini teaches you ways to head from “Logs to Lumber.” Bob Flexner deal with the query “Revive of Restore?” whilst facing outdated, deteriorated finishes in Flexner on completing. ultimately, David Mathias makes a decision to “Conquer end Fears” in finish Grain.

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Extra resources for Popular Woodworking, Issue 205 (August 2013)

Sample text

2 hollow plane. indd 42 161∕ 2" 181∕ 2" hole bored into the center of the bottom. This receives the 1 ⁄2"-diameter x 11 ⁄4"-long tenon that is turned into the top of the ball foot; it passes through the stretchers before entering the leg to lock the stretchers and legs together. The top of the entablature is not solid; it is simply a moulding that is nailed into the tops of the stand sides and front corner blocks. These pieces serve three purposes: They make a strong waist moulding (an important design detail for William & Mary furniture), they connect the case to the stand and they provide a place in which to nail the small ogee transition moulding (cut with a dedicated ogee moulding plane) that hides the through-dovetails joining the case sides to the case bottom.

It’s really a matter of preference and available tools. Cut the half-lap joints that connect the four stretchers to one another. Clamp the dry-assembled stretchers to the bottom of the entablature and 161∕ 2" 11⁄ 4" 11⁄ 4" Stretchers Support the Legs The stretcher setup is important for the overall strength of the piece. Unlike later styles, in William & Mary pieces the legs are simply tenoned into the entablature – only the stretchers and the shear-strength of the tenon prevent the legs from moving side to side.

That’s because it exactly matches the shape of the hole, because both were cut at the same time. That’s how double-bevel marquetry works. So how does double-bevel inlay work? Exactly the same way – but instead of using thin veneers, we’re using thicker wood, 1 ⁄8" thick and up. com ■ 47 5/16/13 11:42 AM as veneer. The inlay can be as simple as an oval, or as complex as an elaborate fleur-de-lis. But oval is boring, so let’s get fancy and French. ” —Ralph Waldo Emerson (1803-1882), American author and lecturer Tools & Materials This technique can be done by hand with a fret saw and angled platform, but it’s extremely difficult to maintain the correct angle.

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